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- Act 1 Scene 3
-
- The Duke and the Venetian senators are trying to
- assess the power of the Turkish fleet: reports are
- contradictory, and it is not even sure whether the
- ships are heading for Cyprus or for Rhodes. A
- message from the Governor of Cyprus settles the
- problems. But the meeting is interrupted by the
- angry Brabanzio, who accuses Othello of having
- seduced Desdemona and stolen her away from her
- father. The Moor defends himself with powerful
- dignity. The Duke is impressed, especially when
- Othello speaks of his courtship; after Desdemona
- has declared her love for Othello the Duke gives
- his blessing to the marriage, and speaks words of
- consolation to Brabanzio. He commissions Othello
- with the leadership of the Venetian force against
- the Turks, and Desdemona requests permission to
- accompany her husband to Cyprus. When the
- senators and the lovers have departed, Iago gives
- his own interpretation of the episode, urging
- Roderigo to make further efforts to win
- Desdemona. Finally Iago is alone on the stage, and
- he voices his plans for ruining the happiness of
- Othello and Desdemona.
- 1 composition: agreement; the
- inconsistency of the different reports is itself very
- worrying.
- news: reports.
- 2 gives them credit: makes them credible.
- disproportioned: inconsistent.
- 5 jump not: do not agree.
- just account: precise reckoning.
- 6 the aim reports: the reckoning is given by
- guesswork.
- 8 bearing up: sailing towards.
- 9 possible enough to judgement:
- understandable.
- 10 secure me in the error: allow myself to
- feel safe because of the mistake (i.e. in giving the
- number of ships).
- 11 article: issue.
- approve: accept.
- 12 in fearful sense: with a feeling of fear.
- 14 preparation: force.
- makes for: is heading towards.
- 16 Signor Angelo: Presumably this is some
- naval commander; he is not mentioned again.
- 17 How say you: What do you think of.
- change: i.e. of direction ù the fleet was first said
- to be sailing towards Cyprus.
- 19 assay: test; the SenatorÆs language is
- formal and pompous.
- pageant: show.
- 20 in false gaze: looking the wrong way.
- 21 importancy: importance.
- 20 Not only is Cyprus more important than
- Rhodes, but it is also easier for the Turks to
- capture it.
- 24 facile question: easy attack.
- bear: capture.
- 25 For that: since.
- brace: readiness.
- 26 abilities: equipment.
- 27 dressed in: ready with.
- make thought: consider.
- 29 latest: last.
- 30 an . . . gain: to try something that will be
- easy and profitable.
- 31 wage: risk, gamble with.
- 32 No, we can be sure heÆs not heading for
- Rhodes.
- 34 Ottomites: Turks (from the Ottoman
- Empire).
- reverend and gracious: The Messenger addresses
- the Duke.
- 36 injointed: linked up.
- after: following.
- 38 sail: ships.
- restem: retrace.
- 39 with frank appearance: undisguised.
- 40 Signor Montano: The Governor of
- Cyprus.
- 41 servitor: servant.
- 42 with . . . thus: This is not just another
- spyÆs report, but an official message ù with words
- of formal greeting ù from Montano.
- 44 Marcus Luccicos: Another unknown ù
- probably military ù character who is never heard
- of again.
- 49 general: public.
- 52 Good your grace: A formal address to the
- Duke.
- 53 place: i.e. as a senator.
- 55 Take hold on me: worry me.
- particular: personal.
- 56 floodgate: When the flood-gates are
- opened, the torrent pours through them.
- oÆerbearing: overwhelming.
- 57 engluts: engulfs.
- 59 My daughter: BrabanzioÆs distress breaks
- through the restraints of his formal speech.
- 61 of mountebanks: from quack doctors.
- 62 preposterously: unnaturally; Brabanzio
- emphasizes the strangeness of DesdemonaÆs
- behaviour, suggesting that she must be under the
- influence of drugs or witchcraft.
- to err: to stray from itself.
- 63 deficient: morally defective.
- lame of sense: lacking in intelligence.
- 64 Sans: Without.
- 66 beguiled . . . herself: cheated your
- daughter out of her senses.
- 67 The Duke seems to be promising that
- Brabanzio shall himself act as judge and
- pronounce the grim sentence written in the legal
- statutes.
- 69 proper: own.
- 70 Stood . . . action: Was named in your
- accusation.
- 72 mandate: order.
- 74 part: defence.
- 75 BrabanzioÆs impatient interruption
- increases the tension before Othello can speak.
- 76 potent: mighty.
- reverend: respected.
- 77 approved: esteemed.
- masters: Othello pays great respect to the senators,
- acknowledging their power over him ù he is their
- servant.
- 80 head and front: height and breadth (i.e.
- the full extent); Othello uses military terms.
- 81 Rude: Plain; OthelloÆs language must be
- compared with the complicated phrasing of the
- First SenatorÆs speeches, or even those of
- Roderigo.
- 82 soft phrase of peace: elegant diction of
- civilians.
- 83 pith: strength.
- 84 moons: months.
- wasted: past.
- used: been accustomed to doing.
- 85 dearest action: most important work.
- tented field: battlefield (where the armies pitched
- their tents).
- 87 broil: fighting.
- 90 round: plain.
- unvarnished: without decoration.
- 92 conjuration: incantations.
- 93 charged withal: accused of.
- 95 motion: desire.
- 97 credit: reputation.
- 99, 100, 101 It is . . . nature: Only a warped
- imagination could believe that one so perfect [as
- Desdemona] could fall into such unnatural error.
- 101 must be driven: The subject of the verb is
- ôoneö (= any reasonable person).
- 102 find out: suggest.
- 103 vouch: assert.
- 105 dram . . . effect: magic potion concocted
- for this purpose.
- 106 wrought: worked a spell.
- vouch: assert.
- 107 more wider: fuller.
- overt test: obvious evidence.
- 108 these . . . likelihoods: rather poorly
- presented (thinly clad) guesswork.
- 109 Of modern seeming: About what appears
- quite ordinary.
- prefer: object.
- 111 by indirect . . . forcecourses: by cunning
- and force.
- 112 Subdue: Seduce.
- 113 request: consent.
- fair question: honest discussion.
- 117 foul: wicked, culpable.
- 122 as truly . . . blood: Othello confesses his
- sins to God ù a regular part of Christian worship.
- 125 thrive: proceed.
- 131 ran it through: recounted it all.
- even . . . boyish days: right from my childhood.
- 133 chances: happenings.
- 134 moving accidents: exciting adventures.
- by flood and field: on sea and land.
- 135 hair-breadth scapes: narrow escapes.
- iÆthÆimminent deadly breach: in that dangerous
- moment when a fortification is broken open.
- 137 redemption: rescue (by being ransomed).
- 138 portance: conduct.
- 139 antres: caves.
- idle: barren.
- 141 process: narrative.
- 143 Anthropophagi: Man-eaters.
- 145 incline: bow her head, listening intently
- (ôseriouslyö).
- 146 still: always.
- house affairs: household chores.
- 147 As soon as she could get them done.
- 148 again: back.
- 150 pliant hour: favourable moment.
- 151 prayer of earnest heart: sincere request.
- 152 pilgrimage: travels.
- dilate: recount in detail.
- 153 by parcels: in bits.
- 154 intentively: altogether, paying proper
- attention.
- 155 beguile her of her tears: steal tears from
- her, cause her to weep.
- 158 pains: troubles.
- 159 passing: very.
- 160 wondrous: exceedingly.
- 162 made her such a man: This could mean
- either ômade her a man so that she could be like
- Othelloö; or ômade such a man for her husbandö.
- 165 hint: opportunity.
- 166 passed: endured.
- 167 that: because.
- 169 witness: give evidence.
- 172 take . . . best: make the best of a bad job.
- 173 It is better to use a weapon which is
- broken than no weapon at all (i.e. ôbare handsö).
- 175 half the wooer: i.e. shared the
- responsibility for her seduction.
- 176 bad blame: curse.
- 177 Light: Fall.
- 180 a divided duty: In another play, King
- Lear, Shakespeare shows a great interest in the
- triangular relationship of father ù daughter ù
- husband.
- 181 education: upbringing.
- 182 learn: instruct me.
- 184 hitherto: so far.
- 187 challenge: claim.
- 188 God bÆwiÆyou: God be with you.
- 189 May it please your grace, letÆs get on with
- affairs of state.
- 190 get: beget.
- 192 that: something (i.e. Desdemona).
- 193 but thou hast already: except that you
- have it already.
- 195 at soul: in my heart.
- 196 escape: elopement.
- 197 clogs: blocks of wood fastened to the legs
- of horses to prevent their escape.
- 198 like yourself: like your better self ù the
- Duke appeals to BrabanzioÆs reason and
- commonsense.
- lay a sentence: speak some words of wisdom; the
- Duke proceeds to utter a series of banal
- commonplaces. The rhymes of the couplets, and
- their heavy rhythm, emphasize the trite words ù
- and it is not surprising that Brabanzio finds no
- comfort in them.
- 199 grece: another word for ôstepö.
- 201 The troubles (ôgriefsö) are over when we
- know the cure (ôremediesö) we hoped for until
- recently (ôlateö) is impossible, and the worst has
- happened.
- 203 mischief: problem.
- 204 next way: best way.
- draw . . . on: cause more problems.
- 205 If you canÆt keep something that pure
- chance takes from you, you can scoff at the loss
- (ôinjuryö) by accepting it with patience.
- 207 A man who has been robbed and yet
- smiles, deprives the thief of something.
- 208 bootless: useless.
- 209 So: In that case; Brabanzio parodies the
- DukeÆs words of wisdom.
- beguile: cheat.
- 211 A man can suffer (bear) this moralizing
- (ôsentenceö) well when he has nothing except this
- easy advice to suffer.
- 214 pay grief: in order to endure his sorrow.
- poor patience borrow: has to resort to mere
- patience.
- 215 to sugar . . . gall: whether sweet or bitter.
- 216 equivocal: of equal value.
- 218 pierce through the ear: mended by
- talking.
- 219 proceed to: get on with.
- 220 After the rhymes, it is refreshing to find a
- speech in prose where the Duke adopts a more
- businesslike manner.
- 220 preparation: armed force.
- 220 makes for: is heading towards.
- 221 fortitude: strength.
- 222 substitute: deputy, i.e. Montano.
- 223 allowed sufficiency: recognized
- efficiency.
- opinion: public opinion.
- 222 a more . . . effects: which makes the final
- decision in these matters.
- 223 throws . . . you: votes for you as the safer
- choice.
- 224 slubber: tarnish.
- 227 boisterous: violent.
- expedition: assignment.
- 229 flinty and steel: rough and hard.
- 230 thrice-driven . . . down: like a bed of the
- finest down (made by three times fanning the
- feathers to get the very lightest down).
- I do agnize: recognize in myself.
- 231 A natural . . . hardness: A natural
- inclination and readiness for hardship.
- 234 bending . . . state: bowing to your
- authority.
- 235 disposition: arrangements.
- 236 Due . . . place: treatment appropriate to
- her position.
- exhibition: financial allowance.
- 237 besort: service.
- 238 levels: suits.
- 244 in his eye: in his sight.
- 245 unfolding: proposal.
- lend . . . ear: listen favourably.
- 246 charter: permission.
- 247 simpleness: innocence.
- 249 downright violence: bold action.
- 250 trumpet: boldly declare.
- subdued: obedient.
- 251 Even . . . lord: To whatever it is that
- Othello wants.
- 252 OthelloÆs . . . mind: OthelloÆs mind, not
- his face, is what mattered to Desdemona.
- 253 parts: qualities.
- 256 A moth: Moths, although pretty, are
- useless; they may even be destructive.
- 257 rites: i.e. the marriage rites ù her sexual
- pleasure with her husband.
- bereft me: taken away from me.
- 258 heavy interim: boring interval.
- support: endure.
- 259 his dear absence: the absence of one who
- is dear.
- 260 voice: approval.
- 261 Vouch with me heaven: As heaven is my
- witness.
- 262 These lines have puzzled many
- commentators; I think Othello is requesting
- DesdemonaÆs company not because she is the
- particular object of his passion and would ôplease
- the palate of my desireö, and not because he needs
- a woman to satisfy (ôcomply withö) the natural
- desires (ôheatö) of his body ù which are not so
- urgent now that the passions (ôaffectsö) of youth
- are dead (ôdefunctö); nor even to give him the
- ôproper satisfactionö that the wife should give to
- her husband. Rather he wants to enjoy her
- company ù her ômindö.
- 266 that you think: if you think.
- 267 scant: neglect.
- 268 light-winged toys: trivialities.
- 269 feathered Cupid: The Roman god of love
- is depicted as a blindfolded, winged boy.
- seel: close up.
- wanton dullness: frivolous blindness.
- 270 speculative and officed instruments: his
- mind and eyes, which are intended to think
- (ôspeculativeö), and have been given a job to do
- (ôofficedö).
- 271 disports: enjoyments.
- taint: spoil.
- 272 skillet: saucepan.
- helm: helmet.
- 273 indign: unworthy.
- 274 Make head against: Attack.
- estimation: reputation.
- 275 privately determine: personally decide.
- 276 cries: demands.
- 281 commission: the official documents.
- 282 of quality and respect: which are
- important and relevant.
- 283 import: concern.
- my ensign: Othello introduces Iago to the Duke.
- 285 conveyance: escort.
- 286 needful: necessary.
- 289 If . . . lack: If virtue in itself is beautiful.
- delighted: charming.
- 294 My life . . . faith: Othello would stake his
- life on DesdemonaÆs faithfulness.
- 295 to thee: to your care.
- 296 prithee: pray you.
- 297 in the best advantage: at the most
- convenient time.
- 298 but: only.
- 299 worldly matter: business.
- direction: instructions.
- 300 obey the time: do what the situation
- demands.
- 301 - 374 The formal dignity of the ducal court
- gives place to the colloquial cynicism of IagoÆs
- conversation with Roderigo.
- 303 will: shall.
- 305 incontinently: immediately.
- 306 after: afterwards.
- 307 silly: simple-minded.
- 309 prescription: doctorÆs order.
- 314 Ere: Before.
- 315 guinea-hen: woman; the term is abusive,
- and suggests that the woman can be bought; but it
- is not as strong as ôprostituteö.
- 317 my shame . . . so fond: I am ashamed to
- be so foolish.
- 318 virtue: power.
- 319 Virtue: Iago uses the word with overtones
- of morality.
- a fig: a contemptuous remark, usually
- accompanied with an obscene gesture.
- 322 set: plant.
- 323 gender: kind.
- distract: vary.
- 324 sterile with idleness: barren because we
- are too lazy to look after them.
- 325 corrigible: correcting.
- 326 beam: balance; the image is of weighing-
- scales, in which two pans are suspended from a
- beam and balanced against each other.
- 327 scale: weighing-pan.
- peise: counterpoise.
- 329 preposterous: unnatural.
- 330 motions: desires.
- carnal stings: fleshly urges.
- 331 unbitted: unbridled.
- 332 sect or scion: cutting or graft.
- 334 permission of the will: i.e. Roderigo could
- control the lust of his blood, but his will gives
- consent to his desire.
- 336 blind puppies: unwanted puppies are
- drowned as soon as they are born, before their eyes
- have opened.
- 337 deserving: deserts.
- 338 perdurable: everlasting.
- stead: help.
- 339 Follow . . . wars: Follow Othello to the
- war in Cyprus.
- 340 defeat . . . beard: Hide your face with a
- false beard (the implication is that Roderigo is not
- man enough to grow his own beard).
- 342 continue her love: go on loving.
- 345 answerable sequestration: corresponding
- separation.
- put but money: just put money.
- 348 locusts: carobs (a sweet Mediterranean
- fruit).
- 349 coloquintida: the bitter-apple (colocynth),
- used as a purgative.
- for youth: for a younger man.
- 352 damn thyself: i.e. by committing suicide,
- which is forbidden by God.
- 354 sanctimony: piety.
- a frail vow: Iago is contemptuous of the marriage
- vows.
- erring: pagan.
- 355 super-subtle: over-sophisticated.
- 356 the tribe of hell: the devils; Iago seems to
- place himself amongst the devils.
- enjoy her: i.e. sexually.
- 357 A pox oÆ drowning thyself: Iago is
- contemptuous.
- 358 clean out of the way: quite the wrong
- thing to do.
- Seek: Prefer.
- 359 compassing: achieving.
- 361 fast: true.
- 365 hearted: sincere, heart-felt.
- 366 be conjunctive: join together.
- 369 delivered: brought to birth.
- Traverse: About turn (a military term).
- 373 betimes: early.
- 375 IagoÆs soliloquy, where he plans the next
- moves in his campaign against Othello, uses the
- intimacy of verse and contrasts with the looser
- prose of the preceding lines.
- 375 ever: always.
- my fool my purse: make a profit out of a fool.
- 376 gained knowledge: experience.
- profane: abuse.
- 377 expend: waste.
- snipe: a marsh-bird, with a long beak.
- 378 But: Only.
- 379 abroad: generally.
- Ætwixt my sheets: in my bed.
- 380 my office: what I ought to do (i.e. he has
- slept with IagoÆs wife).
- 381 for mere . . . kind: just because I suspect
- that sort of thing.
- 382 do . . . surety: act as though I were
- certain.
- holds me well: thinks highly of me.
- 383 purpose: plan.
- 384 proper: handsome.
- Let me see now: We can see IagoÆs mind working.
- 385 place: job.
- plume up my will: give myself a bit of fun.
- 386 double knavery: i.e. tricking both Othello
- and Cassio.
- 387 to abuse OthelloÆs ear: to deceive Othello
- by telling him.
- 388 he: i.e. Cassio.
- 389 person: agreeable appearance.
- smooth dispose: charming manner.
- 390 To be suspected: To arouse suspicion.
- framed: designed.
- 391 free and open: honest and trusting.
- 393 tenderly: easily.
- led by thÆnose: fooled.
- 394 asses: The donkeyÆs nose is sensitive, and
- only a slight pressure is needed to make the animal
- follow.
- 395 ingendered: conceived.
-